” Youngblood On the Tracks ” – Blues Under the Bridge 2014

Festival takes- Blues Under the Bridge 2014, Colorado Springs, CO 7/19/14

Alvin Youngblood Hart

Alvin Youngblood Hart rocks the Blues Under the Bridge fest in Colorado Springs 7/19/14

We return to the coolest spot on a hot summer day in Colorado Springs– the flatbed stage under the Colorado Avenue bridge next to the railroad tracks….

The first time I ever saw Neil Young, he was dressed in buckskin head to toe fronting Buffalo Springfield on American Bandstand, lip-synching ” Mr. Soul ” to a bewildered Dick Clark and at least one transfixed kid in South Jersey. So it didn’t take any of the Colorado  brownies that drummer Rick Shelton was calling for to have me flashing back to Shakey on AB as Memphis blues/rock stalwart Alvin Youngblood Hart cranked out ” Mr. Soul ” on the heels of Neil’s (as Alvin said, ” our favorite Canadian…Gordon Lightfoot!”)   ” White Line “, near the end of a hard rocking set in America’s Most Evangelical City. Reaching back to R.L. Burnside and Fred McDowell with his own, ” Big Mama’s Door “, over to Doug Sahm with ” I’m Just A Country Boy “, back to his zany ” I’m Watching Brian Jones ” ( ” I was at my house watching this documentary called ” Stoned ” about Brian Jones, and I wrote this..” ), and even to ” the King…Otis Redding “, Alvin and his Muscle Theory Band covered broad blues/rock territory to blistering effect. Slowing down only for ” our death song “, the swirling slide blues of ” In My Time of Dyin’ “, one of several festival tributes to the recently passed Johnny Winter, Hart played and sang with conviction, displaying strong voice and surprising rockstar guitar chops for a guy known as a blues artist.

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He ain’t gonna stop ’til he come up on Big Mama’s Door!

Hart’s set was masterful, but he had a tough act to follow. The wildest crowd response of the day was for Aussie singer/guitarist Kara Grainger, whose powerful vocals, tasty guitar licks, and well-crafted original tunes had the crowd on its feet, insisting that the band keep playing despite the repeated announcements of the tight fest schedule. The affable Kara seemed stunned by the overwhelming response, and gladly obliged with an encore.

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Smile, Kara, you’re killing ’em out there!

After a rousing version of Mose Allison’s  ” Your Mind Is On Vacation ” , Kara noted, ” that oughta be my theme song! ” She even tackled Etta James’ torchy slow burner, ” I Would Rather Go Blind “, a challenge for any singer. As John Mayall said, ” the slow blues are the hardest; you can hear every mistake “.

It ain’t easy being the only girl in the lineup, and like Samantha Fish and Ana Popovic, surely Kara has to overcome the ” yeah, she’s hot, but can she play? ” stigma in a genre whose fan demographic is increasingly aging and male. Her songwriting may set her apart  should her singing and playing be taken for granted. You go, Kara!

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Harpist/Vocalist Dustin Arbuckle and Guitarist Aaron Moreland

The Wichita, Kansas-based Moreland and Arbuckle play what Moreland once described as ” electrified Mississippi blues with a sludgy, jam-oriented rock thing “. The highlight of their set was Arbuckle’s virtuoso wailing on Little Walter Jacobs’ signature tune ” Juke “. The guys laughed off several trains passing close behind the stage, and consistently had the crowd up dancing to their rolling roots sound.

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Austin Young opens the fest with a blast!

The self-taught teen prodigy Austin Young has been onstage since age 12, and the Colorado native is well known to Pikes Peak Region blues fans and Under the Bridge attendees. Heavily influenced by traditional bluesmen like Robert Johnson and inspired by Henrix, Clapton, and Stevie Ray, the young Austin is technically proficient and a polished performer. His own Johnny Winter tribute, Clapton’s Cream classic ” Outside Woman Blues ” , showcased his substantial chops and enthusiastic stage presence. Catch this guy while he’s still playing small venues!

Many thanks to the Pikes Peak blues community for another outstanding lineup and smoothly run festival; our apologies for skipping headliner Sugaray Rayford’s set:

” Well, you know that you’re over the hill, when your mind makes a promise that your body can’t fill..” – Paul and G. P. Barrere; Little Feat- ” Old Folks Boogie ”

— your faithful mountain correspondent, Nanker Phledge

“electrified Mississippi blues mixed with a sludgy, jam-oriented rock thing.” T – See more at: http://bluesunderthebridge.com/lineup/#sthash.617QfLaO.dpuf
“electrified Mississippi blues mixed with a sludgy, jam-oriented rock thing.” T – See more at: http://bluesunderthebridge.com/lineup/#sthash.617QfLaO.dpuf

Joe Bonamassa

Concert review– Joe Bonamassa at the Florida Theatre, Jacksonville, FL 12/9/12

Our man Nanker crashes the apparent Blackfoot Fan Club meeting hosted by JB!

Joe Bonamassa, Florida Theatre, 12/912

Joe Bonamassa, Florida Theatre, 12/9/12

Joe’s roots go deep in NE Florida. As he spun the tale last night, back in 1990 he visited the city with his Dad for a gig at the Jacksonville Landing with local legendary Southern rockers ( yes, Greg Allman, I know that term is redundant!) Blackfoot, which included original ( and I mean pre- “Workin’ For MCA”) and current Skynyrd member Ricky Medlocke, and earlier had a regional hit LP, “Strikes”, with the now-classic ” Train, Train “. The thirteen-year-old Joe was ” about a year and a half older” than his soon-to-be partner in mischief, Derek Trucks. The two youngsters had several hours to kill, so being boys they ” pretended to be someone else’s children” and snuck into The Landing’s anchor tenant, Hooters, where even today Joe recalls that the ” girls were really hot!”. Sidling up to the bar with a casual, ” Hi, I’m Joe, and this is my friend Derek”, the boys were soon getting the bum’s rush from a huge bouncer, directly into the custody of Joe’s Dad, who told the boy,  ” Of all you’ve done, all the hell you’ve put me through… I’ve never been so proud of you!”

Has to be head-spinning 23 years later to be “standing onstage at the sold-out Florida Theatre before a raucous crowd” , living the dreams he and Derek dared to dream. Joe did not waste the moment, rocking the house for two hours and change of acoustic blues, hard jazz-blues-rock, and straight-ahead electric blues, including covers of axemen who no doubt influenced young Joe. Walking onstage alone promptly at 8pm, clad in an elegant tailored black suit and rocking his uber-classic black high-top Chuck Taylors ( talk about old school; every baller wore them in the 60s!), Joe began with a tasty acoustic set that included a fine cover of Bad Company’s ” Seabird”. Takes some guts to cover any Paul Rogers vocals, or Mick Ralphs guitar, for that matter, but Joe has a strong, resonant voice that seems to be improving with age, and the acoustic strumming was well received.

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Joe starts ’em off soft and slow, with a bongo assist!

But there couldn’t have been five people in the crowd of aging white guys ( La Magda claimed it was at least ” six to one men” ) who came to hear anything acoustic, and soon the band joined Joe on his dazzling array of freshly-tuned axes ( yes, that was his ’64 Gibson Firebird 1 that opened) for a blazing electric set that reminded of all the greats – Beck, Hendrix, Stevie Ray- yet somehow remained his own deft, speedy style. The tunes included Bonamassa originals “Slow Train”, “Dust Bowl”, and “Midnight Blues”, and nods to giants with covers of Mose Allison’s ” Young Man Blues”, (a la Pete Townsend on  ” Live at Leeds “), Billy Gibbons and ZZ Top’s ” Pocketful of Change ” ( drunks were hollering for  ” Just got paid today”, the opening line), and an extended, blistering rave-up instrumental of Jimmy Page’s Led Zep war horse, ” Dazed and Confused”, as the finale to the encore. The band joined arms onstage for a bow, to the stomping standing ovation of the packed house.

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Joe shreds on, neither dazed nor confused!

In the wake of this fabulous show and the revelation of the Trucks connection, I’m calling out Mayor Alvin Brown to clear the Landing for a guitar heavyweight slugfest reuniting the Hooters crashers. Smokin’ Joe versus the scion of the First Coast First Family of the Blues. Come on, Mister Mayor, make it happen!

Phledge notes that the more they count the votes,  Florida is a certified blue(s) state!